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Hybrid Theory

Hybrid Theory

  • LINKIN PARK HYBRID Concept

When the first track from a band’s debut album will get added to key rock stations four weeks ahead of its official release, it must be anything quite unique. Which is the situation with “1 Phase Closer” from Linkin Park’s very first album, Hybrid Theory. Created on

Listing Price: $ 13.98

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2 Responses to “Hybrid Theory”

  • Judy Goodson "Judy Goodson":
    32 of 32 people found the following review helpful
    4.0 out of 5 stars
    TWO BONUS TRACKS MAKE A GREAT CD BETTER, BUT WORTH THE $?, November 22, 2001
    By 
    This review is from: Hybrid Theory (Audio CD)

    Linkin Park’s Hybrid Theory is one of the greatest albums I have ever heard. I think that putting High Voltage and My December on Hybrid Theory and adding 20 dollars, is not a waste of money,(especially if you have the original album, you should) but I think your money could be better spent. I have attended a concert of theirs and seen exactly what they’re capable of. Not only have I heard Hybrid Theory about a thousand times, I have searched for other songs of theirs. When I saw they released Hybrid Theory with two bonus tracks, I was a little amazed. High Voltage and My December are great songs, but the greatest was left out. “And One,” a song that they played at the concert I attended, is a GREAT song by them; I believe this song should have been on the original album. The band played this song when they were called Hybrid Theory, not yet Linkin Park. I believe that other songs like Part of Me, Step Up, High Voltage, My December, Carousel, and And One, should be all on a seperate import. Since this hasn’t been released yet, these songs can be found and downloaded. I suggest that if you’re a TRUE Linkin Park fan, you should track down these songs. If you’re someone who just likes the song Crawling and wants the cd, these two bonus tracks won’t do much for you! I would give a 5+ for the original Hybrid Theory album, and their other unreleased songs, but for the two bonus tracks for 20 more dollars, I will give an overall rating of 4.

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  • J. Brittman "The Bottom Line":
    44 of 47 people found the following review helpful
    4.0 out of 5 stars
    Rock-rap’s (not generic) best, August 1, 2001
    By A Customer
    This review is from: Hybrid Theory (Audio CD)

    Whether rock-rap or rapcore is going to live on for awhile or die off and fly into history next to other music genres that were short-lived remains speculated over constantly. I, personally, think that rock-rap will live on as long as it wants if talented artists like Linkin Park stay behind the wheel of it’s driving force. Before anyone dares to stereotype this and throw it on the shelf next to their dust-growing albums of the same type, or their “got way too old, way too fast” Limp Bizkit CD’s, this album DEFINITELY deserves several listens, although just one spin should get you hooked. How, you might ask? It’s as simple as the fact that this is one of those rare albums where there simply is not a bad song on the entire thing. One can spin the entire CD without coming across a skippable track or a gut-wretching, space-filling interlude, which can’t be said about too many groups in this style of music. Strictly no-BS here.

    Leading the front of the group are Chester Bennington, with an amazing voice that would make Maynard James Keenan of Tool jealous, but with enough ferocity to scream his heart out on the level of some of today’s loudest metal bands. Such a contrast is rare. Putting forth just as much contribution, and an equal frontman along Chester, is Mike Shinoda, strictly in charge of rap lyrics, who has the flowing ability, if not better, of most hip-hop artists. The crunching guitars of Brad Delson bring the rock part of the album to life, while Rob Bourdon’s steady and fast-paced drums keep the beats so in check and so hip-hop oriented that one would swear it is a drum machine at points. However, the most bragging rights go to Joseph Hahn, the band’s DJ. He can mix sound effects, cut records, and tear into his turntables with the same level of skill as DJ Lethal, among numerous others, all of which is gloriously reflected in the song “Cure For The Itch”, performed only by Mr. Hahn. Strangely, the band didn’t even have a permanent bass player during the recording, and had to hire a bassist for each song, but now, thankfully, a permanent bassist by the name of Phoenix has solved those problems.

    But that’s just where the band lies. The music itself is no typical rapcore. The emotionally charged lyrics on all the songs take the music to a level that Limp Bizkit’s Fred Durst can’t even dream of achieving. Adrenaline-pumping hard rock songs such as “Papercut”, “With You”, “One Step Closer”, “Crawling” and “Runaway” will silence the skeptical on the heavy metal matter. Mike Shinoda gets a chance to show off his flowing skills on “Points Of Authority”, “By Myself”, and co-operates on the rock vocals on “Forgotten”. More melodic, but by no means quieter or calmer songs include “In The End”, “A Place For My Head”, and the album’s finale “Pushing Me Away”. The band’s sound itself has influences from A Perfect Circle, Deftones, House Of Pain, Nine Inch Nails, Papa Roach, Videodrone, and numerous others.

    Fortunately, this version of the album has two added tracks attached to it. “My December” and “High Voltage”, which were originally released on the band’s no-longer-available EP, are gracefully added onto here for some extra touch. Although “High Voltage” doesn’t exactly fit the mood of the rest of the album, “My December” should have made it onto “Hybrid Theory”‘s final cut, ranging as one of the groups best songs, amazingly moving and talented. The implemation of the keyboards in the tune are something not seen very often in Linkin Park’s work, aside from “In The End”. This is not to mention that Chester Bennington’s voice is absolutely beautiful and amazing on “My December”. “High Voltage” in itself is a decent song, although it is completely hip-hop and un-parallelled with the rest of the album. Definitely deserves a listen though, especially for the added DJ effects and whatnot.

    In my opinion, the best songs on the album are “In The End”, “Papercut”, “My December”, and “Pushing Me Away”, although it’s next to impossible to choose favorites, as every track is equally amazing. Don’t stereotype this album with the rest of it’s genre and forget about it. This is a must-have.

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